NFO
Sound Of Bass Presents:
Mindwalker - The World Is Out There
Artist...............: Mindwalker
Album................: The World Is Out There
Company..............: Dark. Descent.
Catalog.Number.......: DD14067
Genre................: Hardcore
Storedate/Streetdate.: Apr-30-2015
Year.................: 2015
ReleaseDate..........: Apr-29-2015
Encoder..............: Lame 3.98.4 (VBR -V0)
Quality..............: 320kbps / 44,1kHz / Joint Stereo
Tracks...............: 12
PlayTime.............: 77:59
Size.................: 178,76 MB
Type.................: Album
Source...............: WEB
URL..................: https://darkdescent.bandcamp.com/
Tracklist:
01. The Disillusioned Masses [08:30]
(Mindwalker 2015 Re-Illusion)
02. The World Is Out There [07:23]
03. A More Perspective World [06:11]
(Electronic Mind Expansion Remix)
04. We Cry In Music [05:36]
05. End Of Eternity [06:46]
06. Far From You (Shatterling Remix) [08:14]
07. Flesh And Machine [07:02]
08. For The Doom Walkers [05:01]
09. All You Can Wish For [06:20]
10. Scooby-Doo [04:40]
11. Ready To Go [05:28]
12. The Last Melody [06:48]
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Total Playtime.......: 77:59 min
Like ??? = BuY !!!
Release Notes:
With his second full length for Dark.Descent, Mindwalker surely
collects impressions from the world out there, resulting in an
album of eclectic darkness and fruitful collaborations. With one
half of the album operating at around 130bpm and a second half of
considerably faster tracks, this will find its way into DJ sets of
different styles – and into the hearts of a varied crowd: You will
find the entire crossover EP “End of Eternity” (featuring The
Relic, Electronic Mind Expansion and Embryonic), with its strong
appeal to the industrial dance and cybergoth crowd for its melodic
strength and female vocals by Mi’a; then there are distinctly
technoid tracks like the fabulous update of a classic Mr Sinister
track or the bouncy “For the Doom Walkers; the collaboration with
Synaptic Memories introduces vintage hardcore sounds and some
unexpected humor, while “Ready to go” and “The Last Melody” carry a
heavy acid and darkcore signature. But what this album is really
about is the knack for melody, as in the pocketing title track and
the awe-inspiringly genre-defying Shatterling remix with its
electro pop synth lines. A strong bid for open minds, the world is
out there!
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Sound Of Bass Since September 2009