NFO
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: : _\ rippers /____.
: : release no ( 10070 ) \ rating |
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: : artist (Various Artists ) | .---. |
: : title (Lucky Devil/Revolution Mixed By Matt Impact)| 0 | | |
: : record label (Knowledge Magazine (KNOW107) ) | 9 | | |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2009/04/15) | 7 |%%%| |
: : street date (2009/04/??) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl ( ) tape ( ) cd (x) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover (x) sfv (x) m3u ( ) cue (x) | 3 |%%%| |
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: : :.: (01 tracks) (59:24 min) ( 73,1 mb) | `---' |
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nr times track titles
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| 01 00:00 Switch ft. Henree - Piece of History (Lucky Devil 6) |
| 02 00:43 Do The Math - Fading Grey (Revolution 5) |
| 03 04:23 Survival - Sky (Dispatch Dub) |
| 04 06:13 Vicious Circle - Jetpack (Revolution Dub) |
| 05 09:52 Break - Not Enough (Revolution 13) |
| 06 14:59 Incident ft. Paul SG - Autumn Drops (Lucky Devil 7) |
| 07 17:32 Switch & Stunna - Nightwatcher (Lucky Devil 6) |
| 08 19:22 Nocturnal - Been So Long (Revolution 11) |
| 09 22:07 Survival - Point Five (Revolution 20) |
| 10 25:35 Dose & Menace - Trigger Happy (Revolution 16) |
| 11 29:37 Sabre - Colony Assault (Lucky Devil 2) |
| 12 31:48 Data - Blowpipe (Lucky Devil 5) |
| 13 35:28 Sabre & Survival - Omega King (Revolution 20) |
| 14 37:39 Zyon Base - The Wire (Lucky Devil 4) |
| 15 42:03 Do The Math & Alix Perez - Onyx (Revolution 14) |
| 16 43:52 Data, E & Dynamic - Skinwalkers (Revolution) |
| 17 46:45 Cern - Sparrowhawk (Revolution) |
| 18 48:37 Break - Traits Remix (Symmetrix) |
| 19 50:27 Bulletproof, Teknik & Nymfo - 3 Of A Kind (Cyanide Dub) |
| 20 53:00 Zero Tolerance & Survival - Cold Blood (Revolution 15) |
| 21 56:18 Break - No Going Back (Revolution 17) |
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| | LDR and Revolution have compiled a special | |
| | mix CD with past and forthcoming tracks | |
| | from the labels plus a few other exclusives. | |
| | | |
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.-----------------------------------------------------------------------------.
| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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[ sour productions(c) 1999-2009 ]
